Creed ii review new york times

In some ways, Creed II feels like a regression from its predecessor, a step back into the shadows of the Rocky franchise.

Where 2015's Creed used that legacy to forge something new, Creed II leans hard on Rocky nostalgia, rehashing Rocky IV's Creed vs. Drago fight through their sons.

It's a premise that smells more of a studio conference room than of the characters' blood, sweat, and tears, and the beats feel so familiar that a sports commentator actually says, "Rocky knows better than anyone how this same story plays out."

And yet, when Creed II is in the thick of it, it mostly works. It's not quite as smart as Creed, or quite as beautiful, and it doesn't have as much depth or nuance or texture. But it's got enough to deliver something satisfying and sweet. Provided, anyway, that you're already invested in this story from the first Creed and the other Rocky movies.

Returning stars Michael B. Jordan, Tessa Thompson, and, of course, Sylvester Stallone inhabit these characters like they've never stopped living them, so it doesn't take much for them to win back the affections they earned in the last film. That comes in very handy when the script compels them toward confounding decisions.

The script [by Stallone and Juel Taylor] retains some of the first film's knack for finding personality in the everyday, like Rocky's frustration over a broken street lamp. An early declaration of love, from Adonis to Bianca, might be one of the most romantic movie moments of the year, precisely because it feels so low-key and lived-in—not like a Hollywood romance, even though that's exactly what it is.

It's Creed vs. Drago all over again in Creed II. Credit: Barry Watcher / MGM / Warner Bros.

Into this comfortable world come the Dragos, father Ivan [Dolph Lundgren] and son Viktor [Florian Muntenau], who've apparently been waiting decades for a do-over of the battle that left Apollo Creed dead in the ring. That they're cartoonishly determined villains comes as no surprise, considering Ivan's characterization in that movie and Creed II's overall lack of subtlety.

What's unexpected is the odd sympathy the film engenders for them, particularly Viktor. It's made clear from the opening scene that his life has been completely defined by his father's loss that day, to an even greater extent than Adonis' has been. His emotional arc throughout Creed II makes for a bittersweet complement to Adonis' own ambivalence about their shared history.

Like its hero, Creed II's strength is its heart.

Plus, Viktor's emotional journey has the benefit of making sense, unlike his so much of rival's. Creed II's most exasperating failing is its inability to justify why Adonis is so easily baited into a fight that everyone warns him is a bad idea, on behalf of a father he barely knew, against a total stranger who himself had nothing to do with that deadly match.

But it doesn't wind up mattering as much as it probably should. When Adonis takes a punch, Jordan's acting, Steven Caple Jr.'s direction, and Ludwig Göransson's score converge to put us in that moment. When Bianca watches, terrified, from the crowd, we're right beside her, clutching our chests with worry. When Rocky trains Adonis for the next battle, his cheers are our cheers.

By the time Creed II enters its climax, we're all in, even if we're still not entirely sure how we got here. Like its hero, this film's true strength lies in its heart—it has so much of it, it extends sympathy even to its villains.

But Creed II could stand to learn another lesson from Adonis, as well: It really and truly is time for this franchise to move beyond its legacy, and start making a name of its own.

Angie Han is the Deputy Entertainment Editor at Mashable. Previously, she was the managing editor of Slashfilm.com. She writes about all things pop culture, but mostly movies, which is too bad since she has terrible taste in movies.

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Michael B. Jordan in a trailer for “Creed 2.”Credit...MGM

  • Sept. 26, 2018

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What we’re talking about today

• “Creed 2” will be released on Nov. 21, and a new trailer shows a dark chapter in the boxing movie franchise — literally dark, as Michael B. Jordan and Sylvester Stallone appear to spend a lot of time in dimly lit rooms as they plot how to take on Ivan Drago’s son, Victor.

• Will Smith has embraced social media, and it’s a rare bright spot in the war zone that is being online. For his 50th birthday on Tuesday, he bungee jumped out of a helicopter over the Grand Canyon, then vlogged about it.

• Luke Skywalker’s “Last Jedi” beard x Gimli’s “Lord of the Rings” beard = Mark Hamill’s beard in Season 2 of the History show “Knightfall.” [The series is about the Knights Templar in the 13th century.]

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Why is Creed 2 so good?

Creed II is an overall blast. With well-defined characters, thrilling action, and stunning cinematography, audiences will be treated to a dramatically compelling and fun time in the theater. Perhaps the greatest accomplishment of “Creed II” is that you don't feel the absence of Ryan Coogler.

Is Creed 3 as good as Creed 2?

This might have been the shortest Creed film of the series, but it felt like the longest. Creed 3 is just boring. It might be even more predictable than Creed 2 which at least had a better storyline, if only a rehashed one. Creed 3 is the story of Adonis Creed getting visited by a teenage friend from back in the day.

Does Stallone get paid for Creed?

One source stated that Stallone made more than $10 million on both “Creed” and its 2018 sequel; Stallone starred and produced on both. “I have zero ownership of 'Rocky,'” Stallone told Variety in 2019, sharing that an annuity of sorts that could be left to his children after his death was something he desired.

Did Creed 3 get good reviews?

But because Creed III plays things as straight as it does and is as "well-behaved" as it always is, what happens instead is that those cheesy training montages end up feeling like obligations rather than joyous celebrations. July 29, 2023 | Rating: 3.5/5 | Full Review…

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